i am the king of america
amychalifoux:

Hey Everyone!  I’m getting super excited for this craft fair, been busy making stuff and getting stuff ready.  I’ll be sharing a table with Shannon so please come if you’re in the area, it’s gonna be awesome!
please reblog and tell all your friends! Thanks :) 

amychalifoux:

Hey Everyone!  I’m getting super excited for this craft fair, been busy making stuff and getting stuff ready.  I’ll be sharing a table with Shannon so please come if you’re in the area, it’s gonna be awesome!

please reblog and tell all your friends! Thanks :) 

Lin Tianmiao, The Proliferation of Thread Winding, 1995

Lin Tianmiao, The Proliferation of Thread Winding, 1995

In the works…pillows printed by a two-armed Amy.  They’ll be up on etsy by next week
OR…
buy one at the Secret Art Space craft show, June 9th, noon to 5, near 4th and New streets, Bethlehem.  Between these and Amy’s animal pillows, our table will be the coziest place ever.

In the works…pillows printed by a two-armed Amy.  They’ll be up on etsy by next week

OR…

buy one at the Secret Art Space craft show, June 9th, noon to 5, near 4th and New streets, Bethlehem.  Between these and Amy’s animal pillows, our table will be the coziest place ever.

Kazimir Malevich, Black Square and Red Square, 1915

Kazimir Malevich, Black Square and Red Square, 1915

whitneymuseum:

The Installation of The Rose from an Art Handler’s PerspectiveBy Graham Miles, Whitney art handler Documented by Paula Court, photographer III. “Once removed from the A-frame cart, The Rose is lowered onto its edge and then onto its back. Raising and lowering The Rose in this position is by far the most challenging aspect of the entire installation. A large portion of the weight is concentrated in the lower third of the painting, which makes it extremely unbalanced and unwieldy in this orientation.”Jay DeFeo: A Retrospective is on view now through June 2. 

whitneymuseum:

The Installation of The Rose from an Art Handler’s Perspective
By Graham Miles, Whitney art handler 
Documented by Paula Court, photographer 

III. “Once removed from the A-frame cart, The Rose is lowered onto its edge and then onto its back. Raising and lowering The Rose in this position is by far the most challenging aspect of the entire installation. A large portion of the weight is concentrated in the lower third of the painting, which makes it extremely unbalanced and unwieldy in this orientation.”

Jay DeFeo: A Retrospective is on view now through June 2. 

Albrecht Durer, Melencolia I, 1514

Albrecht Durer, Melencolia I, 1514

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